OMEGA

1940年代のアンティークオメガ。この年代特有の綺麗なケース形状のラウンドケースに

風格あるゴールドレターの黒い文字盤、スモールセコンドは繊細なレコード溝も魅力的で、

チビチビ動くスモセコハンドも絶妙です。 

CONFECT

  　　　　　　 

NATURAL NEW BASIC STYLE

ミリタリー・ワーク等様々なカテゴリーの普遍的要素を持ち、独自に解釈された服。
1900年代初期〜中期にかけてのクラシカルな雰囲気を感じられる服。 自然体で生活を楽しむための日常的な服。

Anna de Rijk: Harper's Bazaar Spain, June 2011

                       

Model: Anna de Rijk 
Photographer: Txema Yeste 
Stylist: Juan Cebrian 

Burberry Prorsum A/W '11/'12 Ad Campaign

Perhaps it's the fact that it's winter where I currently am, or perhaps it comes down to having a sense of the collection's potential impact upon 2012's fashion, but it's fair to say that I'm always happy to take in any reinterpretation of Burberry Prorsum's fall 2011 collection. A collection that makes burnt colours and a mod 60s vibe its hallmarks.

The fifties, food and fashion

Dream Weaver
The Sunday Times Style May 2011
Model: Iris Egbers
Photographer: Daniel Sannwald
Stylist: Lucy Ewing

You may not think of it, particularly in a fashion context, but there's something innately romantic about a big bunch of rhubarb, a string of sausages, or some flowering artichokes. The romance isn't just in what you do with those objects, what you create from them; it's in the notion of where they come from. It's the 1950s and you're the woman to whom cooking is a sensual art; you pick up your fresh produce from the local market of your provincial European town; and you do it all in your stylish headscarf and two-piece skirt suit.

Hello sunshine, hello Lily Donaldson

           

 

Model: Lily Donaldson 

Photographer: Matt Irwin 

Stylist: Darcy Backlar

Muse issue #26, Summer 2011

When Muse magazine do summer they really do summer, so Sigrid Agren's swim shoot wasn't the only thing in the issue to leap off the pages in vibrant colour and with an attitude that drops serious artiness in exchange for pure fun. Lily Donaldson's Hello Sunshine is the kind of sexy that's bold, saturated, attention-grabbing and styled for summertime glamour; with tailored colour-blocking, neoprene swimwear, and solid gold jewellery aplenty.

A projection through time

       

Jewellery and horological photo shoots seem like the bastard children in fashion magazines. Often feeling like a last minute arrangement, they usually involve close-up beauty photos of one of the day's leading models, parts of her body layered with an uncomfortable quantity of whatever product it is the publisher wants to highlight to their readers. Time and time again (not a pun, honestly) that's the extent of it.

Photographer Charles Guo, however, brings something new to the concept of the accessories photo shoot. And at the same time he doesn't. After all, the commonalities for these kinds of photo shoots are all there: the watches, the model, and the nudity. Yet the overt simplicity that normally plagues such photo shoots is gone, replaced instead with dramatic lighting, heady, and (technically) no jewellery at all.